SOOZAN SHAHABI
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THE STORY OF ARTIST:
SOOZAN SHAHABI
“The contradiction between the figure and empty space is a sort of solid and fundamental expression of lack of communication between the humans and the world they live in. Due to the occurrence which happens in the photography art I sometimes use it as a companion for inspiring my works. Although this is a regulation according to which the painting results in a visual occurrence that is inside the artist’s soul. But this is also a fact that figure-showing is a prerequisite of painting. Although in artistic works the criticism of the thinking is a reciprocal reply to the display of the artistic; I personally prefer the absence of interpretation and separation of the viewer of the things inside the work because the painting has its own language and cannot be converted into words. Truly there must be a viewpoint in accordance with each personal opinion in order to reveal that personal opinion. The person expresses the world according to that opinion and viewpoint which is beautiful. In terms of preference, the subject is inferior in regard to the viewpoint. Although we might have the same viewpoint in viewing a painting; this does not mean that we experience the same mental responses concerning the subject. All of us as individuals experience alterations and transformations which we express with more or less transparency. What affects and impresses me with a special viewpoint might never impress somebody else. However, we can rightly suppose that there might be some supplementary viewpoints for any special viewpoint that can connect the precise understandings to conscious self-knowledge with special tendency. What I like is the fact that the viewers of my works come to see them with their feelings because the feelings never tell any lies, I expect them to be sincere toward their feelings and not try to understand the painting and look for the story because they might be confused and lost.”
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